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"It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things."

- Lemony Snicket, Horseradish (via 13neighbors)

"Welcome to the real world. It sucks. You’re gonna love it!"

(Source: lemonyssnickets, via genies)


Photographs by Thom Sheridan

In 1986, the United Way attempted to break the world record for balloon launches, by releasing 1.5 million balloons, which resulted in two deaths, millions in lawsuits, and a devastating environmental impact.

(Source:, via pretend-this-is-a-good-url)


 ☆ gypsy/indie blog ☆




While listening to the Frozen soundtrack for what seemed like the billionth time, I happened upon a strange rhythm that, when played backwards, almost sounds like the dark version of Hans’s theme. 

I just thought it was a nice Easter egg, accidental or not.

I really listened and you can just hear the depth of the song fill your soul..
A million claps to this. I should write a novel.


This is the Hartmanns Youkai Girl of Disney the message is right there in front of us.

(Source: hundred-acre-goods, via pretend-this-is-a-good-url)


Big sur by kevinrussmobile on Flickr.

☆ gypsy/indie blog

☆ gypsy/indie blog


NYC by Juliette Sandbox

(via heartbreaks)


Single-perspective installations have been extremely popular for the past several years, with the best examples making their rounds instantly on the usual social media platforms. The real shame of this mass exposure is that viewers rarely experience the tactile joy of these illusions, viewing the photographs but never seeing them first-hand. This is especially true with the work of Georges Rousse, a French artist who has been creating his painted perspective installations in abandoned and soon-to-be demolished buildings since the 1980′s.

Finding influence from Land Art as well as specific works like Suprametist painter Kazimir Malevich’s Black Square, Rousse pre-dates the modern trends of illusionistic installation, having perfected his trademark geometric style and his fondness for desolate locations decades ago. According to his site’s bio, Rousse considers himself a painter, sculptor, architect, and ultimately a photographer, but considers his raw material to be his great inspiration: Space. Upon selecting a site, Rousse goes about creating a unique angular perspective, that when photographed, compels the viewer to re-analyze their own surroundings, possibilities, transformations, and ultimately, Space.